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Random House editor advice on how to write a synopsis for agents
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ProfessionalCritique
 06 Feb 2010, 11:51 #81374 Reply To Post
From the professional critiques forum, the whole critique can be viewed under the Random House critiques for YouWriteOn Top Ten writers for January 2010.

I would also recommend you expand on your synopsis a little – if you come to submit your finished novel to an agent it’s absolutely crucial that your synopsis is of the highest possible standard and really sells your story so look at how you could expand on it now. I would suggest that you spend some time looking at the blurbs of books with a similar setting/feel so that you can see how they give you hints to the story that will unfold without giving away any of the plot twists.
This post was last edited by ProfessionalCritique, 06 Feb 2010, 11:52
pipio
 08 Feb 2010, 14:07 #81500 Reply To Post
I must admit, this contradicts the advice given by a couple of agents I have talked to. One agent said she pays little attention to synopses, instead concentrating on the covering letter and the first few pages of the manuscript. This gives her a feel of the author and his/her prose before reading the synopsis which should lay out the plot. The other agent (who specialises in crime and 'whodunnits') wants a concise but complete synopsis of the plot, the characters' roles in it and who actually did the crime in question.
But it's good to know which method Random House prefer.
A useful tip.
Pipio
... an honest insult is so much better than an insincere flattery...
markgayle
 08 Feb 2010, 18:10 #81505 Reply To Post
Quote: pipio, Monday, 8 Feb 2010 14:07
I must admit, this contradicts the advice given by a couple of agents I have talked to. One agent said she pays little attention to synopses, instead concentrating on the covering letter and the first few pages of the manuscript. This gives her a feel of the author and his/her prose before reading the synopsis which should lay out the plot. The other agent (who specialises in crime and 'whodunnits') wants a concise but complete synopsis of the plot, the characters' roles in it and who actually did the crime in question.
But it's good to know which method Random House prefer.
A useful tip.
Pipio


To me it suggests that a blanket approach won't work. Most everyone wants something slightly different.

Shooting off six identical submissions to six agents or editors might not be the best use of your stamps or time.

Tailor submissions according to research.

Time spent in reconnaissance is rarely wasted.



Now and then I write:

http://www.mofanning.com
pipio
 09 Feb 2010, 00:59 #81524 Reply To Post
No, the blanket approach is hit and miss.
It's all about (publisher/agent) house rules.
Even punctuation styles are viewed differently depending on which 'house' you choose.
You just need to know what they want and what they're house rules are.
Lots of research I suppose.
... an honest insult is so much better than an insincere flattery...
markgayle
 09 Feb 2010, 07:04 #81529 Reply To Post
Quote: pipio, Tuesday, 9 Feb 2010 00:59
No, the blanket approach is hit and miss.
It's all about (publisher/agent) house rules.
Even punctuation styles are viewed differently depending on which 'house' you choose.
You just need to know what they want and what they're house rules are.
Lots of research I suppose.



Erm ... that's what I said
Now and then I write:

http://www.mofanning.com
pipio
 09 Feb 2010, 15:31 #81563 Reply To Post
Errm... and I'm agreeing with you!
... an honest insult is so much better than an insincere flattery...
gabriella
 14 Feb 2010, 14:53 #81877 Reply To Post
I have been trying to think out of the box here and I don't know if my idea would work.

I've read and heard from several agents/publishers that the tone of synopsis, short or long, should reflect the tone of your story. If the novel is written for teens and YA with a transition to adults, would it be all right to write the synopsis from the angle of the target reader?

I was in the library yesterday in the teen section ('cause you really hear a lot of juicy stuff sitting in the teen section, especially if you're writing YA), and I overheard this girl telling this boy about a novel she just read. I mean, it was the perfect synopsis and I actually checked out the books (its a series) just from her recounting of it. Man, there was such enthusiasm and her summation got me quite curious.

Is there something wrong about approaching an editor or an agent with this same tone? Of course I would cut out the 'dude's' and the 'man' and the OMG, but really...

I wrote down what she said and applied it to my own story and it really spices up my synopsis using the teen voice.

Any suggestions or comments? I think it is sort of an original approach.
Jen

"Those who control their passions do so because their passions are weak enough to be controlled." William Blake

My blog

my website
paula8888
 14 Feb 2010, 15:36 #81880 Reply To Post
Great idea, Jen.

But I would keep the OMG.
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